<h2><b>Opening Reception</b></h2>
<p>Tuesday, October 1st 4-6pm.</p>
<h2>Location</h2>
<div>The DXARTS Gallery at McMahon 8</div>
<div>University of Washington</div>
<div>4200 Little Canoe Channel NE</div>
<div>Seattle, WA 98195</div>
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<h2>Gallery Hours</h2>
<p><span>October 2-13 TBD and by appointment.</span></p>
<h2><span>Contact</span></h2>

<p><em>"In classical music, a fugue is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation, which recurs frequently throughout the course of the composition."</em></p>

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<p class="p1">Digital Arts and Experimental Media presents Daniel Peterson’s latest music composition<i>, Into the Air</i>, which explores the ephemeral nature of sound and the paradox of being. Inspired in part by Jorge Luis Borges' <em>Everything and Nothing</em>, the 80-minute piece embodies both presence and absence, holding within it the traces of countless influences while remaining transient and unimaginable; idiosyncratic and universal.

<p><span style="font-weight: 400;">Composer John Chowning is considered one of the pioneers of Computer Music. His contributions to this field, such as the invention of FM Digital Synthesis, had a strong cultural impact in the worlds of both classical and popular music. His invention allowed the production of one of the most popular digital synthesizers, the Yamaha DX7, which sold millions of units in the 1980s and was used by virtually every band from that era.

<p dir="ltr"><strong><span face="AvenirNext-Regular" style="font-family: AvenirNext-Regular;">WHEN: May 22 - 23, 2024<br>Exhibition hours: 12:00 - 4:00 PM</span></strong></p>
<p dir="ltr"><strong><span face="AvenirNext-Regular" style="font-family: AvenirNext-Regular;">WHERE: UW Biology Greenhouse</span></strong></p>

<p><b>DXARTS Winter Concert </b></p>
<p><b><i>A la recherche d’une musique concrète </i></b></p>
<p><b><i>75 years of acousmatic music</i></b></p>
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<p><a href="https://artsevents.washington.edu/covid-protocols"><span>ArtsUW Covid-19 Safety Protocols</span></a></p>
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<p><strong>Closing Reception with live tango music by Sol de Noche, Friday April 26, 5-7PM</strong></p>
<p><strong>Gallery Hours: Monday, Wednesday and Friday noon to 5PM (call or text ‭206-225-6912‬ when at McMahon Hall door), or by appointment (<a href="mailto:pampin@uw.edu">pampin@uw.edu</a&gt;)</strong></p>

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<p><strong>PROGRAM</strong></p>
<p>Carolina Marín + Esteban Agosin - <em><span class="s1">ARRURRÚ, surviving to change the skin </span></em><span class="s1">(2023)</span></p>
<div><span face="Avenir-Book">Laura Luna Castillo + Emily Schoen Branch - <em>Assemblage Against Entropy </em>(2023)</span></div>

<p><span><a href="people/chari-glogovac-smith" title="CHARI ">CHARI</a> presents their new interdisciplinary work, MUTATE, an archival themed, installation based, media performance work. With the growing trend of technological advancement underlining and underwriting the world, a world where big data trains the algorithms that train us, MUTATE embraces culturally informed small data, employing creative methods for preserving histories, and asking questions about what of ourselves might we encode into the future.